<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="6.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Cieri Via, Claudia</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Decroisette, Françoise</style></author><author><style face="normal" font="default" size="100%">Graziani, Françoise</style></author><author><style face="normal" font="default" size="100%">Heuillon, Joël</style></author></secondary-authors><subsidiary-authors><author><style face="normal" font="default" size="100%">Publius Ovidius Naso (PHI 0959)</style></author></subsidiary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Orphée, Ovide et les ‘pathosformeln’ à l'antique</style></title><secondary-title><style face="normal" font="default" size="100%">La naissance de l'Opéra: Euridice 1600-2000</style></secondary-title><tertiary-title><style face="normal" font="default" size="100%">Collection Arts 8</style></tertiary-title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><publisher><style face="normal" font="default" size="100%">L'Harmattan</style></publisher><pub-location><style face="normal" font="default" size="100%">Paris</style></pub-location><pages><style face="normal" font="default" size="100%">314-335</style></pages></record></records></xml>