Lyre in public performance?

TitleLyre in public performance?
Publication TypeBook Chapter
Year of Publication2012
AuthorsAlmazova, N
EditorCastaldo, D, Giannachi, FG, Manieri, A
Book TitlePoesia, musica e agoni nella Grecia antica = Poetry, music and contests in ancient Greece. Proceedings of the 4th Annual Meeting of Moisa: The International Society for the Study of Greek and Roman Music and Its Cultural Heritage (Lecce 2010)
Series TitleRudiae. Ricerche sul mondo classico 22-23, 2010-2011
Number of Volumes2
Pagination457-488
PublisherCongedo
CityGalatina
ISBN9788880869634 (vol. 1), 9788880869641 (vol. 2)
Abstract

It is examined whether a chelys-lyre could be used, at least as an exception, instead of a cithara in formal public occasions (that is, events organized by the polis and having some degree of religious significance: solo, choral and dramatic contests at the state festivals, music-making at the public religious ceremonies and honouring winners of the Panhellenic games).
All the images of solo lyre-players indicating an agonistic context (Nike, judge, bema) can be interpreted as school (sc. private) competitions.
There seems to be some literary as well as iconographic evidence that a lyre could be used during choral performances. Being lighter and easier to manage than a cithara, the lyre allowed a musician to stride or to dance, which was required for accompanying a chorus. Besides it would possibly be chosen when youths or women were intended to play publicly.
There is no safe proof for the use of a chelys-lyre in dramatic contests. Two characters with lyres represented on the famous Pronomos vase must have used them while composing and staging the tetralogy (or else at a feast celebrating the victory), but not in actual performance.
The insufficient sonority of a lyre could be increased when necessary by using several instruments at once. This is proved by vase-painting, though the occasion for such performances is not clear. [Nina Almazova]