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Filtri: Autore è Eichmann, Ricardo [Clear All Filters]
2019
Vendries, Christophe. 2019. Conquest, Political Space and Sound in Antiquity: Concerning Barbarians and Romans, and Roman Discourse on Music and Civilization. In ,Graeme Lawson, Mark Howell, e Ricardo Eichmann, 297-314. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-13.
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Rocconi, Eleonora. 2019. ‘Greek’ versus ‘Barbarian’ Music: The Self-Definition of Hellenic Identity through the Culture of Mousikē. In ,Graeme Lawson, Mark Howell, e Ricardo Eichmann, 281-296. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-12.
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Alexandrescu, Cristina-Georgeta. 2019. Images of Music and Musicians as Indicators of Status, Wealth and Political Power on Roman Funerary Monuments. In ,Mark Howell, Graeme Lawson, e Ricardo Eichmann, 183-200. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-9.
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Fang, J, Koch, L-C, e Eichmann, Ricardo, cur. 2019. Music Archaeology from the Perspective of Anthropology. 10th Symposium of the International Study Group on Music Archaeology at the Hubei Provincial Museum, Wuhan, China, 21-25 October, 2016. Wuhan, China.
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Lawson, Graeme. 2019. Musical Finds and Political Meanings: Archaeological Connexions Between Lyres, Poetry and Power in Barbarian Europe. In ,Graeme Lawson, Mark Howell, e Ricardo Eichmann, 221-280. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-11.
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Hagel, Stefan. 2019. Reconstructing the Auloi from Queen Amanishakheto´s Pyramid 11 , n°. Orient-Archäologie 40: Music Archaeology from the Perspective of Anthropology. Studien zur Musikarchäologie: 177-197.
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Hagel, Stefan. 2019. Shaping Character: An Ancient Science of Musical Ethos?. In ,Graeme Lawson, Mark Howell, e Ricardo Eichmann, 87-103. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-4.
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Perrot, Sylvain. 2019. A Topographical and Anthropological Approach to an Ancient Greek Soundscape: The example of Sparta. In ,Lars-Christian Koch, Fang Jianjun, e Ricardo Eichmann, 199-209. Studies in Music Archaeology XI: Music Archaeology from the Perspective of Anthropology. Papers from the 10th Symposium of the International Study Group on Music Archaeology at the Hubei Provincial Museum, Wuhan, China, 21 – 25 October, 2016. Rahden.
2016
Hagel, Stefan. 2016. Leading Notes in Ancient Near Eastern and Greek Music and Their Relation to Instrument Design 10, n°. Orient-Archäologie 37: Sound – Object – Culture – History. Studien zur Musikarchäologie: 133-150.
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Perrot, Sylvain. 2016. Towards an Anthropological Approach to Classifications of Ancient Greek Music and Sound Instruments. In ,Lars-Christian Koch, Fang Jianjun, e Ricardo Eichmann, 25-33. Studien zur Musikarchäologie X: Klang – Objekt – Kultur – Geschichte. Vorträge des 9. Symposiums der Internationalen Studiengruppe Musikarchäologie im Ethnologischen Museum der Staatlichen Museen zu Berlin, 09.–12. September 2014. Rahden.
2015
Eichmann, Ricardo, cur. 2015. Musikarchäologie. Klänge der Vergangenheit. Archäologie in Deutschland 7. Darmstadt.
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2014
Hagel, Stefan. 2014. Better Understanding the Louvre Aulos 9, n°. Orient-Archäologie 33: Papers from the 8th Symposium of the International Study Group on Music Archaeology in Suzhou and Beijing. Studien zur Musikarchäologie: 131-142.
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Perrot, Sylvain. 2014. The Shape and Function of Bronze Bells in the Archaic Greek World: Some New Perspectives. In ,Fang Jianjun, Lars-Christian Koch, e Ricardo Eichmann, 97-105. Studies in Music Archaeology IX: Papers from the 8th Symposium of the International Study Group on Music Archaeology in Suzhou and Beijing, China, 20 – 25 October, 2012. Rahden.
2012
Moore, Timothy J. 2012. An Aulos in Eelde, the Netherlands. In ,Ricardo Eichmann, Fang Jianjun, e Lars-Christian Koch, 91-101. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
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Perrot, Sylvain. 2012. Greek Auloi from Archaic Times in an Archaeological Context. In ,Ricardo Eichmann, Fang Jianjun, e Lars-Christian Koch, 315-324. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
Hagel, Stefan. 2012. How to shoot an aulos – taking measurements from photographs. In ,Ricardo Eichmann, Fang Jianjun, e Lars-Christian Koch, 405–413. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
Eichmann, Ricardo, Jianjun, Fang, e Koch, Lars-Christian, cur. 2012. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Studien zur Musikarchäologie 8; Orient-Archäologie 27. Rahden.
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Rocconi, Eleonora, e Castaldo, Daniela. 2012. Music on stage in red-figure vase-painting of Magna Graecia (400-320 BC). The role of music in the so-called ‘phlyax vases’. In ,Ricardo Eichmann, Fang Jianjun, e Lars-Christian Koch, 343-360. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context . Rahden.
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Hagel, Stefan. 2012. The Pompeii auloi: Improved data and a hitherto unknown mechanism. In ,Ricardo Eichmann, Jianjun Fang, e Lars-Christian Koch, 103–114. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
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Blažeković, Zdravko. 2012. Vesuvian Organology in Charles Burney’s General History of Music. In ,Ricardo Eichmann, Fang Jianjun, e Lars-Christian Koch, 39-57. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
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2010
Rühling, Susanne. 2010. Ancient Sounds for Modern Ears – Archaeomusicology in media and performance. Essay of an Experience Report. In ,Ricardo Eichmann, Ellen Hickmann, e Lars-Christian Koch, 293-299. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
Bellia, Angela. 2010. Music and rite. Musical instruments in the Sanctuary of the Chthonic Divinities in Akragas (VI c. B.C.). In ,Ricardo Eichmann, Ellen Hickmann, e Lars-Christian Koch, 3-8. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
Eichmann, Ricardo, Hickmann, Ellen, e Koch, Lars-Christian, cur. 2010. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Studien zur Musikarchäologie 7; Orient Archäologie 25. Rahden.
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Li Castro, Emiliano. 2010. The secret heartbeat of Dionysus. In ,Ricardo Eichmann, Ellen Hickmann, e Lars-Christian Koch, 277-284. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
Rocconi, Eleonora. 2010. Sounds of war, sounds of peace: for an ethnographic survey of ancient Greek music in Platonic writings. In ,Ricardo Eichmann, Ellen Hickmann, e Lars-Christian Koch, 119-127. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
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Informazioni
© 2007-2012 MOISA: Società internazionale per lo studio della musica greca e romana e della sua eredità culturale.
Sito disegnato da Geoff Piersol a aggiornato da Stefan Hagel