The competence of theatre audiences in fifth- and fourth-century Athens

TitoloThe competence of theatre audiences in fifth- and fourth-century Athens
Publication TypeJournal Article
Year of Publication2006
AuthorsRevermann, M
JournalThe Journal of Hellenic Studies
Volume126
Pagination99-124
Abstract

After dismissing various possible approaches to the question of audience competence in fifth- and fourth-century Athens, this article proposes to tackle this important and notorious problem with a novel strategy that is not ‘top-down’ but ‘bottom-up’, starting with spectators rather than plays and focusing on the bottom-line of expertise which can be taken to be shared by the majority of audience members. An umbrella-notion of ‘theatrical competence’ is established before two central characteristics of drama performed in Athens are exploited: the participation of spectators in the citizen-chorus at the Great Dionysia, and the implications for the competence issue of frequent exposure to an art form which is as formally conservative as preserved Attic drama. What emerges is a model of stratified decoding by spectators (élite and non-élite) who share a considerable level of theatrical competence. In a final step, this model is applied to a number of case studies taken from fifth-century comedy. [https://www.cambridge.org/core/journals/journal-of-hellenic-studies/article/competence-of-theatre-audiences-in-fifth-and-fourthcentury-athens/6405B3A6CFFDCB8A8BBF81D61F50F8F4]

DOI10.1017/S0075426900007680

Informazioni

© 2007-2012 MOISA: Società internazionale per lo studio della musica greca e romana e della sua eredità culturale.

Sito disegnato da Geoff Piersol a aggiornato da Stefan Hagel