Eros, Song and Philosophy: Toward a Synthesis of a Cultural Ideal

TitoloEros, Song and Philosophy: Toward a Synthesis of a Cultural Ideal
Publication TypeLibro
Year of Publication2020
AuthorsKokkiou, C
Number of Pages194
Date PublishedNovember 2020
PublisherRowman & Littlefield
Città Lanham, Maryland
ISBN Number978-1-4985-9582-7
ISBNe-book 978-1-4985-9583-4
Parole chiaveAncient & Classical, History & Surveys, Literary Criticism, Movements, Philosophy, Pragmatism

Erôs, Song and Philosophy in Plato raises critical issues regarding how Plato treats song and philosophy in erotic contexts in his attempt to rewrite, to some degree, the cultural tradition. A question that seems to be repeatedly raised throughout the Platonic dialogues is why it is precisely song that needs to be put aside before we can start doing philosophy – as a more serious and perfect kind of song. This book highlights the importance of this key thematic clust of beauty,erôs, and song. Chara Kokkiou argues that there is a constant interplay among erotic, musical-poetic and spatial motifs and the way those are incorporated into the very essence of philosophical dialectic is indicative of the unique nature of Plato’s philosophy. Her analysis centers on paiderastiaand mousikos erôs, which, if thoroughly purified, contribute significantly to the composition of Socrates’ portrait as mousikos philosophos. The Socratic philosophical logos displays reformed erotic and song-authorized patterns, such as inspiration and healing. Through a close reading of certain Platonic passages and detailed attention to both choral and mythical motifs in the eschatological myths of Republic and Phaedo, and to the descriptions of locus amoenus in Phaedrus and Laws, Kokkiou demonstrates that Plato, through his painstakingly purged philosophical model, delineates the route towards the creation of a cultural and intellectual ideal. In this way, he establishes a dominant philosophical authority.

Table of Contents

Chapter 1: Paths to Wisdom

Chapter 2: Erotic Madness and Inappropriate Praise

Chapter 3: Speaking Versus Singing. Philosophy as a Performing Art

Chapter 4: Philosophy as an Exercise in Cultural Memory

Chapter 5: Envisaging Plato’s Fragmented Muse of Philosophy

Chapter 6: Encore! Instead of a Conclusion


© 2007-2012 MOISA: Società internazionale per lo studio della musica greca e romana e della sua eredità culturale.

Sito disegnato da Geoff Piersol a aggiornato da Stefan Hagel